Artworks Ahmad Moualla Untitled 04
Untitled 04

Original artwork · Sold

Untitled 04

By Ahmad Moualla

Dimensions 250x125 cm
Medium Acrylic on Canvas
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73,000 AED

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About this work

The scene unfolds as a dense theatre of division and alignment, resembling a crossroads in the city where two roads intersect. Bodies stand side by side yet collide at the same time, moving within a turbulent grey space where no clear boundaries exist between right and left, nor between front and back. Directions intersect and lose their conventional meaning, as if movement itself has become a sign of bewilderment rather than an act of advance or retreat. At the heart of this discordant crowd, a white figure emerges - more transparent and fragile than the others - attempting to cross from one group to another. This figure appears neither victorious nor defeated, but suspended in a moment of perpetual transition, as if embodying the individual in search of a place amid rigid collective divisions. Its whiteness is not an ideal purity, but a mark of difference, perhaps even of isolation, within a dark environment of similar, almost interchangeable faces. Along the edges of the painting, groups condense into opposing human masses, each with its own gestures and movements, without any religious or political symbols, without signs that reveal their affiliations. It is as though each group lives within its own narrative, unable - or unwilling - to see the other. And yet, in the upper right corner of the painting, four musicians stand, visually detached from the conflict, singing continuously without pause. Their presence feels at once ironic and painful: a single song endlessly repeated, a fixed melody rising above the divisions without healing them—and perhaps even reinforcing them. This painting does not claim to possess the truth; rather, it reveals its multiplicity. Truth here is neither singular nor final. It is dispersed among faces, movements, and conflicting directions. Each figure sees the world from its own position and interprets it through a limited perspective. In this way, the painting becomes a visual testimony to a divided society, bound together only by constant noise and an inability to listen to the other - an endless song, and a truth that can only ever be seen in fragment
Ahmad Moualla

Ahmad Moualla

ahmad-moualla

Ahmad Moualla (b. 1958, Banyas, Syria) is one of the most influential figures in contemporary Syrian art. A painter, graphic designer, and professor, he studied at Damascus University and the…
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