The Red Between Us

In this striking installation, Narges Soleimanzadeh transforms the familiar presence of Laari chickens into a poetic study of collective behavior, attraction, and silent obedience. Handcrafted in papier-mâché, each figure carries a fragile, tactile humanity, while their unified gaze toward the suspended red square turns the work into a subtle reflection on desire, authority, belief, and the invisible forces that guide groups and individuals alike. The contrast between the raw white surfaces and the intense red focal point creates a visually arresting minimalism that feels both playful and philosophical. Whether acquired individually, in pairs, or as a larger flock, the sculptures adapt beautifully to contemporary interiors and public spaces, allowing collectors to curate their own rhythm of movement, dialogue, and tension within a space.