ALL WHAT HAS LEFT
| Artist | |
|---|---|
| Medium | Acrylic on Canvas |
| Dimensions | 94×66 cm |
| Year | 2019 |
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About this artwork
A solemn gathering of shadows, clothed in grief and silence, stands before an endless void. The ground bleeds crimson, the sky fades into ash, and all that remains is the weight of memory, bodies etched as silhouettes of survival, witnesses to what cannot be undone.
Ahmad Moualla reflects on the devastation of war and its aftermath. This painting is not of the lost but of those who remain, figures bound together in mourning, resilience, and the quiet terror of continuity. In their stance lies the paradox of survival: the burden of remembering when so much has been erased.
To acquire this work is to hold a fragment of history’s scar, preserved in pigment and silence. All What Has Left invites its custodian to honor resilience while never forgetting the cost of endurance.
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About the Artist
Ahmad Moualla (b. 1958, Banyas, Syria) is one of the most influential figures in contemporary Syrian art. A painter, graphic designer, and professor, he studied at Damascus University and the École Nationale Supérieure des Arts Décoratifs in Paris. Known for his large-scale, theatrical canvases that blend expressive figures with Arabic calligraphy, Moualla’s work explores themes of identity, memory, and power with striking emotional intensity.
His paintings have been exhibited widely across Europe, the Middle East, and North America, and are part of prestigious institutional and private collections. Moualla’s significance extends to the global art market, with his works featured in major auctions at Christie’s and Sotheby’s. As a pioneer who introduced performance into Syrian visual art, he continues to shape the region’s cultural landscape with vision and depth.
